Thursday, August 28, 2014

Upcoming Solo Show

I am happy to announce that I have a solo show next month, entitled Life and Color, in Portsmouth, New Hampshire. The fact that the show will be hung in just over two weeks' time makes this piece's "work in progress" status somewhat nerve-wracking. Posting it here is my way of adding a bit more pressure on myself to have it finished, varnished, and framed in time for hanging! I am excited about showing it as a newly finished piece. It will be the largest in the show, at 24 by 36 inches. Here are the show details.


The Gateway Gallery at Great Bay Community College



New England artist Elizabeth Patterson​
September 16th - November 15​th
The Gateway Gallery at Great Bay Community College is honored to feature the work of New England artist Elizabeth Patterson from September 16-November 15, 2014 in a show entitled, Life and Color.  Her work has been widely acclaimed and featured in exhibitions across the country as well as in books and magazines.  She grew up in Burlington, Massachusetts and attended Massachusetts College of Art and the University of Southern Maine.  The colored pencil drawings of Elizabeth Patterson are richly and lovingly rendered, with layer upon layer of color, to create finished works that are often mistaken for oil paintings. This collection includes still lives and portraits in glowing hues; the subjects brightly lit by the sun, and the cast shadows becoming important parts of each composition.
Please join us for an opening reception on September 16, 5-7 PM.
The gallery is located in the atrium entrance of Great Bay Community College and is open during regular college operating hours. Please sign the guest book when you come and visit.

More Info

Information on each artist and their work can be found in the gallery.
For more information on the exhibit or the reception contact Annette Cohen at (603) 427-7665 oracohen@ccsnh.edu    All visitors to the Gallery are encouraged to sign the guest book. The Gallery is open during regular college hours and is free to the public.​

Thursday, February 6, 2014

Pomegranate & Lemons - Work In Progress

Here is a little still life I have been working on. I started it while awaiting delivery of a large sheet of Pastelbord for my next project. It's not even close to being done. I suppose I thought I could finish it quickly because it's only 12x9 inches, and it seemed like a pretty simple, straightforward composition. I really liked how clean and bright all of the objects looked, bathed in the winter sun, and the way the pomegranate seeds glistened like the glass bowl. (Well, they don't glisten in my drawing yet... but they will.)

So, now I have my new sheet of Pastelbord. It is larger by far than any others I have used for my colored pencil drawings. Actually, I think it's the biggest one the Ampersand company makes... 24x36 inches. It will be like doing this 9x12 one, eight times. An adventure!

Friday, November 8, 2013

Window Sash Still Life

It was the glowing translucence of this little scene that got me excited about drawing it. I really liked how everything was magically transformed by the strong sunlight coming through the window. Even the shadows seemed to have life.

As I worked on this still life, I was also constantly aware of the delicacy of most of the objects' contact with the window sash. Though the shells at either end have some weight, they balance on just a tiny point of their surface. The empty crab shell appears to be on tiptoe. The quince blossoms give the lightest touch with their stems, while their petals yield softly, and appear to meld with the shadows. In contrast, the worn old bottle sits solidly with its wide base, but the flowers rest there ever so gently.

(18 x 6", colored pencil on pastelbord)

Thursday, May 23, 2013

Works in Progress: Tomatoes and Old Paint, and A Windowsill Scene


I'm taking a break from working on this little 5 by 7 inch piece. For its size, it seems to be taking way too long to finish, but I guess I brought it upon myself when I chose that ancient chair with the interestingly flaking paint as the backdrop for a pair of plump tomatoes. It really is almost done, but I just needed to let it be for a while.

So, to save my sanity, I've begun work on another still life. This one is 6 by 18 inches. It's still rough, but I'm liking it!


Both of these are colored pencil on Pastelbord.

Monday, April 8, 2013

Antique Apples and Mended Bowl

This recently completed still life is yet another gathering of things that I love to look at, but had never been brought together until I started trying out different combinations for a new drawing. The boldly designed vintage tablecloth was not among the pile of textiles I had set aside to accompany these beautifully bumpy and spotted Calville Blanc D'Hiver apples. The old bowl, with its worn gold stripes, and a crack mended with a brass staple, had always charmed me, but I had never filled it with fruit.

Searching for a naturally lit place to set up my still life, I was drawn to the sunny porch, where this tablecloth was already covering the table onto which I unloaded the apples from a bag. They looked interesting together, but I decided I needed a container of some sort. These antique variety apples are really large, so off I went to find a bowl big enough to hold a bunch of them. I had always meant to include the mended bowl in a drawing, and it just happened to be the perfect size for these huge apples.

(Antique Apples and Mended Bowl, 12x12", colored pencil on Pastelbord)

Friday, January 11, 2013

Tomato Bull's-Eye


I posted this as a work in progress a while back, and since that time, it has been sold, finished, varnished, framed and delivered... in that order. It's truly a wonderful thing to sell a piece before it's completed! 

I chose the title, Tomato Bull's-Eye, for two reasons. The first is the composition, with the stacked plates' concentric circles reminiscent of a target, the crisscrossed shadows and fine blue lines of the top plate reminding me of crosshairs. The second is the tomato itself, a beautiful Italian heirloom variety, called 'Cuore di Bue', which means 'Bull's Heart'. It was that reference to a bull that pulled it all together. I do enjoy coming up with titles!

(12x12", colored pencil on Pastelbord)

Thursday, December 6, 2012

Little Lincoln

Here is a small graphite pencil portrait I finished recently. This little guy was just so very busy, and talkative, and undeniably cute! I basically trotted around after him with my camera as he ran around his grandparents' yard, dealing with dogs, dirt, toys, tools, and snacks, all the while providing a running commentary on the whole thing. What energy! He did slow down enough for me get some good reference shots, though, and I think the drawing shows his sparkling personality.


Wednesday, November 7, 2012

Sunny Work In Progress on a Cloudy Day

Wintry weather is in the forecast on this gray Maine day, but the still life I am working on is warm and sunny.

This is one of those pieces where I really am enjoying all of the contrasts and connections going on.

The very orderly arrangement of stacked plates and perfectly centered tomato is overlaid by the odd angles and indistinct shapes of the cast shadows. The soft, fleshy tomato appears even more ripe in contrast with the cool, hard ceramic surfaces. And, of course, it's hard to miss the hot reds versus cool blues!

The bottom plate's geometric details seem to reach out and connect with the linear shadows, while the little top plate's design mimics and surrounds the tomato's contours. And then there's the middle plate: its slightly sculptural texture hinting at those lobular shapes on the tomato, as the fence, earth and clouds illustrate quite literally where it was very recently growing.




Friday, October 5, 2012

Published! Grace's Alpaca Hat In Strokes Of Genius 4

Strokes of Genius 4 The Best of Drawing - Exploring Line is now on the shelves of bookstores everywhere, and on Amazon. I am excited that my colored pencil portrait, Grace's Alpaca Hat, was selected for publication in this book, and can finally be seen on its pages! The portrait of my niece, Grace, was completed in October of 2010, entered in the competition and selected in the spring and summer of 2011, and now published in October of 2012. I saw Grace recently, and we were trying to determine how many drastic changes in hairstyle and color have happened since this portrait was done... I lost count!

Thursday, June 21, 2012

Art Exhibits & New Work



 It looks like art exhibit season is here, with all of the framing, delivering, shipping, printing of cards, and hanging that goes with it. I am pleased to have my work juried into three upcoming shows so far.

Tomorrow is the opening reception of the Art Is Community III juried regional show at the Old White Church in Bar Mills, Maine. Three of my still life pieces are hanging in this very special, local show.

On Monday, I will be shipping my September Still Life On Moss to the 20th Annual CPSA International Exhibition, at the Carnegie Visual and Performing Arts Center in Covington, Kentucky. This is my third year in a row being accepted into this show, which means I'll achieve signature status. Very excited about that!

Then, in another week, I'll deliver two pieces to the juried show of the New England Chapter of CPSA, at the Sharon Arts Center in New Hampshire.

The still life shown here (as yet untitled) is in the process of being varnished, and will be framed very soon for entry into yet another local juried show. I love the calm feeling of this piece... everything worn, and pale, and comfortable. The bottles were actually found under the floor of a good friend's barn, many years ago, by our boys. They were just doing what boys do: burrowing in the dirt, and finding treasures. They are almost sanded to a frosted surface, like sea glass. The shells, too, have that rough-tumbled quality, worn away, showing their layers, or encrusted with limpets. I'm counting on these charming qualities to help me come up with a suitable title. But, right now, I'm off to help prepare the exhibit space for tomorrow's opening!

Thursday, March 29, 2012

September Still Life On Moss




Back in September, as my garden overflowed with beautiful still life possibilities, I took a few days to set up and photograph some unusual groupings, for future inspiration and reference. This was drawn from one of my favorite creations from that project. And, yes, I consider the gathering of objects and placing them together in various ways a creation in its own right. It's amazing how much trial and error, arranging and rearranging, tweaking and nudging, and toting things from place to place it takes to come up with a good still life composition!

I wanted to use the bright peppers and large, almost ripe, heirloom tomato in this modern art-glass bowl, with a snip of turning Virginia creeper vine as a "garnish" of sorts, over the top. I set it all up on vintage linen tablecloths... a white, a turquoise, and a swirly print, then on an old wooden chair with peeling paint, then a granite step. I tried it in the garden, among the growing plants, on a huge tree stump, and, finally, right on the ground in a mossy area strewn with maple seeds and dry leaves. I found it enchanting. Really. Like fairyland enchanting. Once I saw how the dappled light worked its magic with the glass and the shadows and the cushiony green carpet, I was powerless to do anything but draw this lovely little moment in time. That is how this particular still life came to be. And after many, many hours of work, we all lived happily ever after. The End

Wednesday, February 8, 2012

Three Sisters In Graphite Pencil


I recently delivered these commissioned pencil portraits, of three completely charming and lovely girls. Drawing siblings is always interesting, because as I work I notice the features and expressions that may be similar to each other.

Another thing that is unique to a set of portraits such as these, that will be hung together on one wall, is making sure that they look comfortable together. The way I accomplish this is to make sure they are each lit from the same direction when I take my reference photos, and choose poses that create a feeling of unity.

My plan with these three was to place this one in the center, with the other two sisters each facing toward her. Once they were matted and framed (beautifully, thank you Sylvie!), they did indeed make a very nice group!

(each 9x12", graphite pencil on bristol)

Friday, February 3, 2012

Strawberry Shadow Play


This sunny still life will be featured in an article which will appear in a summer issue of the Daniel Smith Artist's Materials catalog, and also on the Ampersand Company website. The nice people at Ampersand asked me to do this after seeing my prizewinning piece in the Artist's Magazine, and I was very excited to accept. (Ampersand makes the Pastelbord that I have used for almost all of my colored pencil paintings.) Included in the article are some photos showing the drawing at different stages, along with information about my process, and some thoughts about my work.

To coincide with the catalog's season, I pretended it was summer here in chilly Maine, and set up the strawberries, old blue glass saucer, and a favorite tiny yellow pitcher out on the sun porch. That was when those great shadows introduced themselves to the composition. I really like how they formed a kind of sunburst shape on the little pitcher!

I will post an alert when the article has ben published, but for now, here is Strawberry Shadow Play.

(12x9", colored pencil on Pastelbord)

Friday, January 6, 2012

Portrait of Audrey



This little portrait of my grand-daughter was a long time coming.

First, it took a long time to get some good photo reference, even though I had taken plenty of pictures of her every time we were together. The thing is, I have some criteria for my portraits. I want the pose and facial expression to be relaxed, calm, and contented... as if the subject sat comfortably with me as I worked on their portrait. (Even though I actually use my photos for reference.) My feeling is that the resulting portrait is one that will be enjoyed with that same contentedness by its viewers.

But, whenever Audrey spied the camera, she would make a funny face. So, although we had a lot of fun, those needed reference photos eluded me for months. I finally got some I liked, and began drawing... oh, back in August, I think. I finished it just in time to give to my son and daughter-in-law for Christmas. Granted, there was a lot going on in my life during that time, but still, that is a long time for a little portrait. I keep comparing it in my mind to a slow-cooked meal. I suppose it's o.k. to be a crock-pot once in a while. Who knows, maybe I'll be a pressure cooker one day!

(6x9", colored pencil on Pastelbord)

Friday, November 4, 2011

The Artist's Magazine 28th Annual Competition



I am happy to finally be able to announce that my colored pencil piece, Mottled, has won second place in the still life category of The Artist's Magazine's annual competition! It was so exciting to find out about this several months ago, and waiting until it hit the newsstands to publish my news has been tough. (I was just informed by my sister that she and my mother did indeed see the issue in a bookstore today... and they bought every copy there!)

(For a better view, click on "Still Life Gallery", to the right. It's in there!)

Wednesday, September 28, 2011

Work in Progress and a Weekend Show



This piece should be finished and framed in time for the "Art at Marrett" show this weekend. I'm calling this one Onion: Past Her Prime. More and more, I am inspired by the undeniable beauty of things that are slightly worn, over-ripe, chipped, patched, or gone-to-seed. You have to admit, for an onion that a few days later, went to her final rest in the compost, she's looking quite striking here!

Appropriately, the upcoming show is in the barn at the historic Marrett House in Standish, Maine. I will be happily surrounded by antiquity!

Wednesday, September 7, 2011

Isabella



This little graphite pencil portrait is a special one, in that it's the latest in a series that was begun over twenty years ago. I have a few precious clients whose collections of my work are like visual chronicles of their families' growth: in this case, pencil portraits of grandchildren. The snapshot below shows the drawings of Isabella's older cousins on the wall... some of whom are young adults now. Time really does fly.



(9x12", graphite pencil on bristol)

Thursday, June 30, 2011

At the Barn Gallery, Ogunquit, Maine



My colored pencil still life, Heirloom Tomatoes and Chard, has been juried into the Barn Gallery's annual Open, Regional, Juried Exhibition. It's exciting to be a part of this show, and I must admit that sometimes I forget how fortunate I am to live so close to an area that has such an active and dynamic arts community... especially in the summer!

Regional Artists: An Open, Juried Show
Barn Gallery
On the corner of Shore Road and Bourne Lane
Ogunquit, Maine

Exhibition Dates: Wednesday, June 29 - Sunday, July 30, 2011
Opening Reception: Saturday, July 9, 5 - 8 PM

Wednesday, June 22, 2011

Friday Reception at Lyme Art Association



I'm excited to be visiting Old Lyme, Connecticut for the first time, as I travel there on Friday for the artists' reception of the Hudson Valley Art Association's 80th Annual Exhibit at the Lyme Art Association. Seeing the nearby Florence Griswold Museum is going to be a wonderful bonus!

This detail of Pizzelle On A Pedestal, my colored pencil piece which is included in the HVAA exhibit, shows very well a particular characteristic that has earned it an alternate title, coined by my much beloved mother: You Could Have Ironed That. I love it!

****6/24 Update: A disappointing change of plans!
A miserable sounding and potentially hazardous weather forecast for the Lyme area today... which would come after our four hour drive... has prompted me to cancel our trip. I'm feeling sad about missing the reception, but still hope to see the HVAA show, and the Florence Griswold Museum sometime in July.

Monday, June 13, 2011

Opening Reception on Friday


Two of my colored pencil pieces have been juried into this wonderful local show, Art Is Community II, put on by the Saco River Art League. I have shown my work once before in this charming space on the banks of the Saco River, and am happy to be here again... this time with so many special people!

Not only is this an exciting exhibit of the work of many of the area's artists and fine craftspeople, but also a real community event which includes art making activity for one and all! Come check it out and have some fun, in the lower level of the Old White Church, this weekend.

I'm looking forward to seeing many old friends and new at the reception on Friday! (I will be at the show on Sunday as well.) Please come if you can!

“Art is Community II”
A juried regional show and sale of art and fine crafts
Friday June 17-Sunday July 17, 2011
Opening Reception, meet the Artists: Fri. June 17, 4-8
Gallery Hours: Sat. June 18, 10-2, Sun. June 19, 10-4
also July 15 & 16, 5:30-7:30 or by appointment
At The Old White Church,
15 Salmon Falls Rd, Buxton, ME
Next to the Saco River Grange Hall
FMI- 642-4219 or 929-6472